Thursday, May 26, 2016

Director Gui Pereira on Guile Branco's 'So Far'

Gui Pereira with Guile Branco
on the set of So Far
Director Gui Pereira's interest in cinema goes back to before he was even a year old! Gui has continually widened his horizons, at fourteen he directed music videos for his friends, at sixteen he enrolled a summer camp at the New York Film Academy.

While in college Gui got a job as a writer for the tv show Take Unico for the Brazilian All-TV network, and most recently he graduated from the Los Angeles Film School, then from the Art Institute of California.

He and Guile Branco have worked together on many projects over the last few years, including the multiple-award winning The Adventures of Sheriff Kid McLain, and Pizza Me, Mafia, with Brazilian tv star Tom Cavalcante, which premiered in the Paramount Theater, the largest theater on the Paramount lot.


On their current collaboration, So Far Gui notes: 

"I've been working with Guile Branco for about six years now and I must say that he's the Johnny Depp to my Tim Burton. I truly trust him as an actor and I have the best actor-director relationship with him! It's always a pleasure working with Guile. 

I have to admit that when he pitched me the idea for So Far all I could think was: 'The guy has lost his mind!' Explosions, Ninjas, Car Chases! All of that with no budget at all! But I was up for the challenge! 

I trusted him and he had put together the best cast I could think of. We shot the entire film in just three days, and everyone gave their heart and soul. Guile is one of the best human beings alive, and his energy can get anything done. So Far is a proof of it!"

So Far is scheduled to be released online on VEVO and YOUTUBE on June 17th.  It has also been submitted for consideration to a number of festivals taking place later this year. 

Announcements about festival selections and screening dates / times will be announced soon.     


View the So Far Trailer








For More Information On Guile Branco's So Far
Contact Steve Thompson


Thompson Communications
856-942-4434







Friday, May 20, 2016

Guile Branco Talks About His Upcoming "So Far"





" . . . I kept imagining these amazing action scenes . . . "

"I'm really proud of it, and I want everyone to see it!"


Actor / Producer / Musician Guile Branco talks about his upcoming action-adventure, animation, and music project So Far.




Actor Lou D'Amato Describes Working with Guile Branco on So Far

View the Trailer on the Audience Website

Press Materials



For More Information On Guile Branco's So Far
Contact Steve Thompson


Thompson Communications
856-942-4434

Wednesday, May 18, 2016

Press Release on the Online Release of Guile Branco's 'So Far' on June 17th

BrightKnight Entertainment





Press Contact:
Steve Thompson
Thompson Communications
856-942-4434


For Immediate Release


Extreme Action-Adventure Film
"So Far" with Guile Branco
Completed, Entering Festivals,
Premiering Online June 17th
on VEVO and YouTube


(June, 2016 -- Los Angeles, CA) So Far is the graphic story of the main character Malone (Guile Branco) and his intense battle with his violent, deadly pursuers. 

Displayed in both traditional action-adventure cinematic form, along with with highly stylized animation, and backed by Guile Branco's own strong-tempo music, So Far asks the question "When you realize you've gone SO FAR and there's no turning back, are you ready to face your fears?" 

So Far is an action packed short film/music video produced by Guile Branco, directed by Gui Pereira with animation by Nic Raith. Guile and Gui are both huge action movie fans from Brazil, and have now been residing beautiful Los Angeles for many years. 



Writer - producer Guile Branco remarks: "When I first came up with the idea of So Far I knew I wanted to go way beyond a simple video music concept, I wanted to take it to the next level, and to be an experience! As a fan of action movies since childhood I wanted it to be a roller coaster ride! So Far incorporates animation to help make the storytelling method more contemporary, and also makes the film that much more visually stimulating, interesting, and memorable.


 . . . I kept imagining these amazing action scenes . . . 

I'm really proud of it, and I want everyone to see it!" 



Director Gui Pereira's interest in cinema goes back to before he was even a year old! Gui has continually widened his horizons, at fourteen he directed music videos for his friends, at sixteen he enrolled a summer camp at the New York Film Academy.


Director Gui Pereira on set with
Guile Branco
While in college Gui got a job as a writer for the tv show Take Unico for the Brazilian All-TV network, and most recently he graduated from the Los Angeles Film School, then from the Art Institute of California.

On their current collaboration, So Far Gui notes: 

"I've been working with Guile Branco for about six years now and I must say that he's the Johnny Depp to my Tim Burton. I truly trust him as an actor and I have the best actor-director relationship with him! It's always a pleasure working with Guile. 

I have to admit that when he pitched me the idea for So Far all I could think was: 'The guy has lost his mind!' Explosions, Ninjas, Car Chases! All of that with no budget at all! But I was up for the challenge! 

I trusted him and he had put together the best cast I could think of. We shot the entire film in just three days, and everyone gave their heart and soul. Guile is one of the best human beings alive, and his energy can get anything done. So Far is a proof of it!"

He and Guile Branco have worked together on many projects over the last few years, including the multiple-award winning The Adventures of Sheriff Kid McLain, and Pizza Me, Mafia, with Brazilian tv star Tom Cavalcante, which premiered in the Paramount Theater, the largest theater on the Paramount lot.



Actor Lou D'Amato
Lou D'Amato is an american actor of Italian descent and Co-Stars with Guile in So Far. .

While studying acting at HB Studios in NY, he was fortunate to be accepted in the late Jill Clayburgh's master class "Working on/off camera". Lou learned so much with Jill he asked her if she would continue coaching him after the class ended and she graciously accepted.

Lou is also a great admirer of Clint Eastwood both in front and behind the camera. 

Today Lou looks for scripts that encompass originality, something he says seems harder to find these days.

Lou Co-Stars with Guile Branco in Guile's So Far.  On working with Guile in the project Lou notes:  

"Guile proves over and over how talented and committed he is to his work and his passion. So Far is a project that started in Guile’s mind over 20 years ago and it entails very personal aspects of his life from when he was young to today.
  
Before Guile came to America, he not only loved stage and screen, but also was born with natural talents such as drawing/illustration and music. 

Recently Guile has been going back to his roots by writing and developing songs one of which is called So Far. When he was listening to the track at the studio, it was then he imagined that dream of his creating an action drama, but as Guile does, with a twist.

He was able to incorporate his song, his illustrating prowess along with a perfect action hero story.  This story is complete with car chases, machine guns, ninja’s and bi-planes oh yeah and torture.  

Lou in Center with Director Gui Pereira, left
and Guile Branco, right
Watching how excited he got each time he would put pencil to paper to create his animated characters all while visualizing his story along with the music in his head was special.


I’m so honored to be a part of this project and look forward to working with him on the next two projects (the prequel and sequel) which by the way, he already has it all in his head! He just needs to get that ole pencil out and start creating the magic that he does so well . . . "



Animator Nic Raith talks about what it was like working with Guile Branco on So Far: 


"Collaborating with Guile to produce the animation portion of So Far was so much fun. It was a pleasure bringing his vision to life and being able to creatively express myself.

The same goes for the fellow artists that helped us bring the animation alive and really made it their own. While animating we listened to a ton of New Wave music for inspiration and used retro album covers for reference. 

Our two biggest influences for the project were Duran Duran Album Covers and the Turbo Kid Movie. The trickiest part of the animation is the live action that cuts to the animation. We took screen grabs of the live action and drew them as animation. Getting the timing right for these shots was rough!"



So Far Car Chase
The So Far car chases were shot in beautiful Latigo Canyon, Malibu, known for its breathtaking views of Point Dume State Beach.  The beach scenes in So Far were shot on the Point Dume State Beach, where scenes from many well known film and television projects were also shot, including the ending of the original Planet of the Apes, scenes in the Iron Man films, How I Met Your Mother, Angel, Modern Family, Scorpion, and even the original I Dream of Jeannie.


 # # # # 




Guile Branco is available for interview by appointment, 
 pending availability, contact: 

 Steve Thompson / Thompson Communications 

 580 Haddon Avenue Collingswood, NJ 08108

 856-942-4434 

Tuesday, May 17, 2016

Actor Lou D'Amato on Working with Guile Branco in "So Far"

Lou D'Amato is an american actor of Italian descent.

While studying acting at HB Studios in NY, he was fortunate to be accepted in the late Jill Clayburgh's master class "Working on/off camera". Lou learned so much with Jill he asked her if she would continue coaching him after the class ended and she graciously accepted.

Lou is also a great admirer of Clint Eastwood both in front and behind the camera. 

Today Lou looks for scripts that encompass originality, something he says seems harder to find these days.

Lou Co-Stars with Guile Branco in Guile's So Far.  On working with Guile in the project Lou notes:  

"Guile proves over and over how talented and committed he is to his work and his passion. So Far is a project that started in Guile’s mind over 20 years ago and it entails very personal aspects of his life from when he was young to today.
  
Before Guile came to America, he not only loved stage and screen, but also was born with natural talents such as drawing/illustration and music. 

Recently Guile has been going back to his roots by writing and developing songs one of which is called So Far. When he was listening to the track at the studio, it was then he imagined that dream of his creating an action drama, but as Guile does, with a twist.

He was able to incorporate his song, his illustrating prowess along with a perfect action hero story.  This story is complete with car chases, machine guns, ninja’s and bi-planes oh yeah and torture.  

Lou in Center with Director Gui Pereira, left
and Guile Branco, right
Watching how excited he got each time he would put pencil to paper to create his animated characters all while visualizing his story along with the music in his head was special.

I’m so honored to be a part of this project and look forward to working with him on the next two projects (the prequel and sequel) which by the way, he already has it all in his head! He just needs to get that ole pencil out and start creating the magic that he does so well . . . "

So Far is scheduled to be released online on VEVO and YOUTUBE on June 17th.  It has also been submitted for consideration to a number of festivals taking place later this year.

Announcements about festival selections and screening dates / times will be announced soon.     


View the So Far Trailer






For More Information On Guile Branco's So Far
Contact Steve Thompson


Thompson Communications
856-942-4434





Saturday, September 27, 2014

SUPPOSE -- A Thoughtful Short Story

By
Peter Wooley



Suppose, just suppose for a minute, that a semi truck is rolling down Pennsylvania Avenue in Washington, DC. it stops at the curb as close as it can get to the White House. Two guys get out, unhook the load, and drive away in the cab.

And there it sits… and sits.

Until some DC cop says, “What the hell is that doing here?” He “calls it in”.

A few hours later, the proper people come by, open the truck and in the back is a 6’x6’ stainless steel cube. It doesn’t seem to have any openings- just a cube. No seams, nothing.
However there is imbedded a countdown clock, and it’s ticking: 48 hours, 57 minutes, and seconds are ticking away.

On further inspection, an engraving is found on its side.  It says:

Don’t try to open this. There is a multi-megaton nuclear bomb in here. If you try to stop the clock, try to open it, or drill into it, your nation’s capitol will, of course, vanish.

Praise be to Allah.”


Tick tick tick.

Now suppose for a minute that the great minds of the United States wring their hands until, say 39 hours 12 minutes and ticking….

Someone at the Pentagon gets an idea: Drive it down to the Cape, put it on board the shuttle that is prepping for another launch, and send to into space to blow.

Much ceremony. They get it there, get the shuttle ready and send it, unmanned, up.

Tick, tick, tick.

It goes as far as it can in the time left, and…boom. Done and beautiful. No harm, no foul.

…Or is there?

Half the world gets to watch the explosion, and the whole world feels it. It’s immense, but seemingly, harmless. Much celebration, and the world closes, say, Iran off from the rest of itself.

Months go by. The world disarms Iran and puts it on notice to not even think of building a slingshot or buying a Red Ryder BB gun.

Then the earth slowly and deliberately begins to tumble off its axis.

Suppose at first it is not at all noticeable. Then over the next few months, there is a measurable drop in the force of gravity. Inanimate things do not have the same desire to “stay put.” Things began to lose weight, as do people.

Obviously, The worlds’ governments get concerned, and begin to involve the best scientists to study the problem. First, they have to find exactly what the problem is, how it was caused, and what can be done to fix it.

Suppose they find out the cause, but can’t figure out a way to solve it. Things keep getting worse leading to the inevitable: no gravity.

All sports events are canceled because it is no longer sporting to see a quarterback throw a short pass one hundred yards. Every hit in a major league baseball game became a home run…. Golfers-even duffers-can’t figure out what club to use to keep the ball from going over the green, even when they can find the ball.

But the problem is much more complex, unforgiving, and frightening. Fruits, vegetables, flowers no longer are able to produce. Root vegetables are still producing, but at a lesser rate. All flora can’t figure out which way is “up”.

Airplanes are able to fly, but it is hard to keep them from not just going up. Pilots must “push” the plane to the ground. Assembly lines are not able to assemble properly. Paint ceases to drip, as does ice cream.

Suppose the moon begins to distance itself from earth. In time the oceans rise because there is not enough downward force to keep them in their confinement. Coastal and river flooding is becoming a world wide problem. Tides cease to be. Small objects like sand, dust, gnats, bugs and certain gasses are beginning to drift upward and away. What, or who is next?

Eventually, for a futile while, the rest of the world forgets about Iran, and blames the United States for not letting the bomb destroy their capitol: “Then None of this would have happened.” There is, as always talk of war, but how? And to what end? And why? There is a common enemy they have to defeat before they can get back to where they were. Wise people ask, “Do we want to get back to the way we were?”

Still, science can’t figure a way to stop the inevitable. Soon rotation will slow, and the moon will drift to the point of no gravity. Everything, everyone will just go up….

Suppose the scientists do figure that the earth is not just slowing rotation, but drifting out of its orbit around the sun. The scientists cannot figure which of the two catastrophes will first cause the end of civilization as they know it. They are not even sure how this new revelation will effect earth’s people. Will they drift away or freeze to death out of the Sun’s orbit?

People of the earth are turning back to the God of their choice for an answer. Of course they soon begin to discover that the God of their choice is the same God, different name. Suddenly all the people are talking to the same Power, and asking for the same thing. Not to live longer or to win a war. Not for riches or redemption or ending pain and suffering. Not for everlasting peace. They want to know if there is anything, anything at all, that can be done to stop this madness. They want to know if God, Budda, Mohamed, or whatever the name is, has an answer, or is He, She, It even listening or paying attention. Or cares… Or cares….

The ultimate question is asked by the combined citizens of planet earth: Is there, after all, a Great Spirit watching over us, or are we just a freak of the great universe? Are we meaningless and foolish animals who just made up all the stories of our existence in a need to justify all “this”? Are the stories in the religious books just giving us a reason for being? Is the bible, the koran, evolution, just a silly fantasy to keep us stable enough to not kill each other on sight?

Suppose, just suppose, there truly is a Supreme Being. Suppose that Great Spirit is, indeed watching this whole mess, and is amused that it took something this, this…silly to bring His earth together…finally. That Supreme Being is asking a few questions:

1. Have I waited long enough to make this happen, or can I even trust them to live as one if I fix it? Or did I wait too long?

2. Are they really paying attention, or when and if I fix this, will they go back to their old ways of agreeing to disagree, and fall back into…warring?

3. Is this the time to send my one and only trusted Savior to go and stop the madness?

4. Or is this just another experiment that has taught me how to do it better next time?

5. Did I make this particular animal too slow in evolving? Did the scientific brilliance this particular animal accomplished go so much faster than their need to draw a line in the sand with their toe?

6. Is it all worth doing all over again?

7. Or are there a few people on earth who can figure out how to solve this problem in time without my “real” help?


Author’s Note

Though the scientific facts are almost certainly incorrect, I ask the reader to view it as an allegory, The bible has been doing this for a few years now. Or even as “The Sky Is Falling” sort of children’s’ story. Go with it.


About Author / Production Designer Peter Wooley
When Peter Wooley was born, the world was in black and white. He came forth from a small town on the Ohio River determined to be the next Frank Lloyd Wright. Upon graduating from architectural school, he moved west to seek his fortune. Rather quickly he discovered he was not “doing” enough, not “designing” enough. More perspiration than inspiration.

That’s when the trouble started. He got involved with movie people. Before he knew it, he had thrown away his childish dreams and was searching the back alleys of Hollywood to find a way into show business. A dirty, steel-clad door with a barely readable sign, “Warner Bros.” screeched open, and a filthy arm reached out and yanked him out of that alley and into the arms of show business. Peter Wooley has not been seen since.

However his work has been seen and even admired from time to time. After forty years of being a production designer (a movie architect), he directed a bit, acted a bit, and produced a bit. He won an Emmy nomination for his design of the television movie The Day After.





He wrote his first book in 2001 entitled What! And Give Up Show Business? It is a compendium of events that he witnessed, and often took part in during his career, and has recently been updated for a second, updated publishing with several new chapters. Luckily, he writes funnier than he designs.

In 2007 he teamed with friend Tony Schweikle to produce a documentary, Barbarossa and the Towers of Italy, that won the international “Telly” Award. They are currently working on Hybrids, starring Paul Sorvino and Carolyn Hennesy which is currently in post-production, and five million, two hundred and twenty-seven other projects.



And most recently Peter completed his latest book, a novel: You Only Go ‘Round Once, a kind-hearted, sometimes shocking, and continually fascinating novel about three men's unique, fifty-year friendship.

In the fall of 1956 three guys who grew up along the same river in Northern Indiana had a chance meeting in the cafeteria of a small university in Southern Indiana.

Their stories begin as very young men in Hawaii and Germany, then proceed to Southern Indiana, Montana, Florida, Hollywood, and the Middle East.



Click here for more information on author / production designer Peter Wooley's work.



From Peter Wooley, to you!

Dear Reader,

You must have an opinion on this. What would the God of your choice do? Or not do? If you had the power, what would you do? Is there a scientific answer?
How would you complete this? Is there a completion?


Have fun... pw

Tuesday, August 19, 2014

Need publicity? Let's Talk!

If you or any of your projects have ever been covered by a media outlet, then you know how it feels: it feels great! 

Recently I got a client's film covered by a Sci-Fi media outlet, then the same week another client, an author (and Production Designer with 55 IMDb credits!) made a guest appearance on an LA Talk Radio morning show. Both clients felt great about the media coverage they received.

Click here to see some other recent media placements.

Working with me is easy, efficient, and probably less expensive than you think. Although I've worked on over thirty-five films now, a producer once told me that he understood why people like working with me, because I am "unaffected." A prominent French producer once told me I was "very proficient" at what I do.

So if you need publicity, let's make it happen!

Just get back to me, let me know when you are available to speak briefly. I'll give you a call, answer all of your immediate questions, including how much media coverage you can expect, and of course, how my fees work. 

Then maybe this time next week you'll be feeling great about the media coverage you or your project received!  I hope so!



Steve Thompson


Thompson Communications
+1 856-942-4434
Skype: stephen.thompson580

Wednesday, August 13, 2014

Optioning Dean Dimitrieski’s "Tears for My City: An Autobiography of a Detroit White Boy"




by Phil Wurtzel / Friel Films

I met Dean a little over two years ago when he came to me through a mutual friend for some advice on a deal/option he was going to sign with another producer.   I was able to help him, but then a couple of months later when things had  fallen apart with that producer, he wanted me to take on this project.   I agreed.



Tears for My City: An Autobiography of a Detroit White Boy tells the true story of an immigrant white kid from Macedonia who moves to the most dangerous neighborhood in Detroit at the height of gang violence in the 1970s. With a crack house next door and gangs like Young Boys Incorporated fighting for control of the neighborhood, Dean Dimitrieski struggles to keep himself and his family safe while refusing to join a gang -- even when most of his friends are already on the inside. He later befriends two of Detroit's most wanted drug lords, and just when he feels he's starting to fit in, he becomes a witness to a horrific crime that shatters his American dream and the life he loved in Detroit.

What compelled me to option the book was the fact that growing up in the seventies my family went into Detroit often to my uncle's home for the weekend, and I knew the streets/areas that Dean described.   I saw the Detroit that still had homeowners living in tidy little brick homes and had very little of the deterioration you see now.    My  Uncle and Aunt passed away in the early eighties, just as the drug trade exploded, and literally within four to five years, those tidy homes were either abandoned or set on fire.   Those that weren't had the owners fighting for their lives against the drugs and gangs.  This story really appeals to me on that personal level."

One of the reasons why Dean wrote his book was to show that even through the worst of times, Detroit still had, and continues to have, a good side.  A good side that Dean believes is seldom shown in media.  While the bad things were going on around him, Dean nevertheless had a lot of fun times growing up there.  He was still able to catch a good basketball or football game, and Dean has a love for the city which he says can't be put into words.  My vision is to produce a film that accurately portrays his love for the city, and lots more.


Film Will Deliver a Message of Hope to Inner City Young People

We want to leave the audience, particularly young people, with the message that for people who live in a bad neighborhood and want to leave, there are opportunities available.  Like grants to get into a college or a trade school.  So it is possible to get a better outlook on life, and create a better future for yourself, just like Dean did.

The film will be shot as close as possible to the actual locations in Detroit where Dean's story takes place, because we want the visuals to speak with authenticity to the people who most need the message of hope for a better life.

We are working on connecting with the community groups who are active in helping improve the lives of inner city young people, so our film will genuinely speak to and actually become a resource for those young people.


Author Dean Dimitrieski's Wife Val
who accepted the awards on Dean's behalf,
and Producer Phil Wurtzel with the
Hollywood Book Festival Awards
The recent Best Screenplay Award from the Hollywood Book Festival, as well as all of the other awards and recognitions that Dean has earned, show me that the story is not only a regional Detroit story, but a basic human story of overcoming obstacles, meaning that we expect the film to a world-wide audience.



Check back here for updates on our progress!


Producer Phil Wurtzel / Friel Films is
available for Interview by Appointment
Pending Scheduling Availability


Contact:

Steve Thompson
Thompson Communications
856-942-4434