Wednesday, June 3, 2020

Sebastian Faure on Today's Worldwide Events


Actor Sebastian Faure on Our Current Situation

There are good and bad apples from both sides. Right now, we are facing big issues. We have institutions put in place that protect police officers from any repercussions. If police officers have nothing to fear from their actions, it pushes them to overstep, overpower and perhaps use excessive force.

The only reason why Derek Chauvin was fired and arrested was because the event was filmed and exposed. I watched the video and it was heartbreaking. Derek showed no fear, a stone cold face of a man who pressed his knee on George Floyd’s neck without an ounce of remorse or empathy.

The worst part is he was aware that he was being filmed. It puts things in perspective on the number of cases and police encounters that weren’t put on film.

Are these institutions creating psychopaths under the illusion of law and order?

Remember, Derek Chauvin had seventeen complaints filed against him and he was still roaming the streets. I understand officers go through a lot mentally and they often have the right intentions to help their community. But the system in place corrupts them by making them less accountable and immune to rules and regulations. Therefore officers become “tribalistic” and less fair to anyone who isn’t a cop.

These officers chose their path, and it’s a heavy burden they must face. And of course, there are good cops. Back to where we were, the murder of George Floyd was filmed and exposed; protests and outrage pressured the people in power to take actions against the police officer who killed George Floyd. The other three officers still at large should be convicted, as they are complicit to this brutality. With great power comes great responsibility, the more power you gain as a police officer, as a politician or even as the President, the more accountable you should be. The bar is set higher to balance out the powers that have been handed to you. You become a leader, and a leader’s duty is to show and set the proper example. It is to unite, not to divide. It is to listen to those who have less, not to dictate what you think is right. It is to admit mistakes and take responsibility. Not to victimize yourself and accuse others for your mistakes. You have the highest position in office, own up to it.

That’s how you build trust within communities and that’s how you get law-abiding citizens. I studied history and somehow history keeps repeating itself to those who are ignorant of the past. Ignorance is bliss but no matter how dark it gets, the truth must prevail. The changes that were put forth in America were always done and executed with the use of force.

America had the Native American genocide, the War of Independence, the Civil War between North and South, the Civil Rights movement; and I’m not counting the wars abroad. Honestly, the whole history of America is based on violence.

It might be embedded in the culture of guns, the second amendment, the paranoia of the invisible enemy and the need for freedom against tyranny.

We all know hate will spread hate and violence isn’t the answer - LOVE IS!

You can’t deny this. Major changes always come through violence in the US; this is a fact. We can criticize all we want and find excuses on how it should be done: a peaceful protest. Truthfully, there is no structure for a proper protest. It’s subjective and everyone reacts differently. But I do know a lot of people are suffering and these events are making us reevaluate what’s important in life, a person’s breath (his life) or a person’s business? Or are both of them intertwined?

We are aware! Violence won’t solve anything and it might get worse before it gets better. People want change but the status quo remains the same because the people in power like their habits and become accustomed to how the system works to their benefit.

It is in human nature to develop habits and to grow accustomed to a system or a routine, we can get too comfortable and we go into autopilot mode. Habits create laziness, change demands effort.

We must do what’s right and call out injustice, for George Floyd and for the other victims, for the Black Lives Matter movement, for liberty, for equality and for solidarity.

From what I’ve learned, if you don’t question anything, then you must believe the system in place is perfect. We both know that isn’t the case, by questioning rules or orders as a citizen or as a police officer, you’re discovering flaws in the system that need to be addressed.

Addressing the flaws in the current system will lead to progress and change. Ultimately, it will lead to a better future. Please, stop following orders blindly and start questioning, especially during this time when the person at the top is unfit to lead. 

Be brave, spread love and stay safe.

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Friday, April 24, 2020

Sebastian Faure: Working in David Fincher's "Mank"


(May, 2020 -- Los Angeles, CA) Actor Sebastian Faure is honored to be working in Mank an upcoming American biographical drama film about screenwriter Herman J. Mankiewicz, and his battles with director Orson Welles over screenplay credit for Citizen Kane. 


According to Roger Ebert: "The origins of Citizen Kane are well known. Orson Welles, the boy wonder of radio and stage, was given freedom by RKO Radio Pictures to make any picture he wished. Herman Mankiewicz, an experienced screenwriter, collaborated with him on a screenplay originally called The American. Its inspiration was the life of William Randolph Hearst, who had put together an empire of newspapers, radio stations, magazines and news services, and then built to himself the flamboyant monument of San Simeon, a castle furnished by rummaging the remains of nations. Hearst was Ted Turner, Rupert Murdoch and Bill Gates rolled up into an enigma."


Mank / IMDb

Mank is directed by David Fincher, based on a script written by his father Jack, with Gary Oldman in the title role. The film will be distributed by Netflix, and produced by Fincher, Ceán Chaffin, and Douglas Urbanski.

Herman Jacob Mankiewicz was an American screenwriter, who, with Orson Welles, wrote the screenplay for Citizen Kane. Earlier, he was the Berlin correspondent for the Chicago Tribune and the drama critic for The New York Times and The New Yorker. Alexander Woollcott, an American critic and commentator for The New Yorker magazine, a member of the famed Algonquin Round Table, an occasional actor and playwright, and a prominent radio personality said that Herman Mankiewicz was the "funniest man in New York". Both Mankiewicz and Welles received Academy Awards for their screenplay.

He was often asked to fix the screenplays of other writers, with much of his work uncredited. Occasional flashes of what came to be called the "Mankiewicz humor" and satire distinguished his films, and became valued in the films of the 1930s. The style of writing included a slick, satirical, and witty humor, which depended almost totally on dialogue to carry the film. It was a style that would become associated with the "typical American film" of that period.

Among the screenplays he wrote or worked on, besides Citizen Kane, were The Wizard of Oz, Man of the World, Dinner at Eight, Pride of the Yankees, and The Pride of St. Louis.

Mankiewicz's younger brother was Joseph L. Mankiewicz, also an Oscar-winning Hollywood director, screenwriter, and producer.

Film critic Pauline Kael credits Mankiewicz with having written, alone or with others, "about forty of the films I remember best from the twenties and thirties. ... he was a key linking figure in just the kind of movies my friends and I loved best."

David Fincher's father Howard Kelly "Jack" Fincher, who wrote the Mank screenplay, was an American screenwriter and journalist who had written for various magazines and periodicals, notably serving as a chief editor of Life magazine.


David Fincher / IMDb

David Fincher was born in Denver, Colorado, and was raised in Marin County, California. When he was eighteen years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.

As a film director, he has achieved huge success with Se7en, Fight Club and, Panic Room.

His movies often feature several single frames that flash on the screen in the middle of a scene, as in Fight Club, and fluid tracking camera which can access anywhere, a digital age innovation in camera movement pioneered with Kevin Tod Haug.

He frequently has characters in the shadows where you cannot make out their face: Kevin Spacey in Se7en, The Killer in Zodiac, and Brad Pitt in Fight Club.

His films often center on people with poor social skills and few friends: The Narrator in Fight Club, Mark Zuckerberg in The Social Network, Lisbeth Salander in The Girl with the Dragon Tattoo, Amy Dunne in Gone Girl.

Known for his perfectionist tendencies, often shooting scenes dozens or even hundreds of times to get it exactly right.

Collider's Adam Chitwood describes how The Social Network should have won best picture.

David Fincher also directed the very well regarded The Game a 1997 American mystery thriller film, starring Michael Douglas and Sean Penn, and produced by Propaganda Films and PolyGram Filmed Entertainment. It tells the story of a wealthy investment banker who is given a mysterious gift by his brother - participation in a game that integrates in strange ways with his everyday life. As the lines between the banker's real life and the game become more uncertain, hints of a large conspiracy become apparent.




The Game was well received by critics like Roger Ebert and major periodicals like The New York Times.

Fincher has said that the film is about "loss of control. The purpose of The Game is to take your greatest fear, put it this close to your face and say 'There, you're still alive. It's all right.' "

Douglas said his moody, tormented performance was inspired in part by the divorce proceedings he was going through during the shoot. "It was a time for me to use a lot of myself in the picture," he recalled.

David Fincher is also a prolific television producer. Executive producer of seventy-three episodes of House of Cards, eighteen episodes of Love, Death, & Robots, and nineteen episodes of Mindhunter.




Sebastian Faure is honored to be cast in Mank: "Every time I pick a role, I always start by understanding the psychology behind that person and the way he perceives life, because acting is all about the thought process in studying the character’s interaction with his surroundings.

Mank is a black and white film, very dramatic, with slow camera movement, very film noir, a tribute to the past.  David Fincher is very close to this story as it's a passion project, it's been five years since he directed a feature, so he is being certain about doing it the right way. Mank was also one of the last scripts written by David Fincher's father Jack Fincher.”


In Mank, Sebastian worked with Gary Oldman, Lily Collins, Tom Pelphrey, Amanda Seyfried, and many others. Who is Tom Pelphrey?


Tom Pelphrey / Collider

Up-and-Comer of the Month: ‘Ozark’ Star Tom Pelphrey

It is Sebastian's belief that the art of acting is a never-ending search in finding the essence of a character. A quest to understand human behavior and push away judgment. It's a search for truth in understanding social psychology in the various circumstances of life.

As Sebastian puts it: "It's not about the start or the finish line, it's about the journey... of discovery, of learning, of growing, and of interacting with others.”

In his perspective, "Acting is an exaggerated imitation of life and life’s purpose is to remain dynamic, to keep moving forward, to take chances through the process of learning and getting out of your comfort zone. The moment you start getting too comfortable with your habits, you are as good as dead as you have lost track of your purpose. We can draw this parallel with acting; a character in any story holds no presence if he has no purpose, no objective.”




He is also appearing as a married man who escapes from his ordinary world, jeopardizing everything he thought was love in The Rose Hat written and directed by Ana Karenina Arley Jiménez.

The Rose Hat is currently on the world-wide festival circuit.

Sebastian Faure intends to continue to pursue his passion for acting. "I'm consistently learning more about life and myself so that I can improve my artistic craft."

Update: First Look At David Fincher's Netflix Film Mank, AKA The Movie That Put Mindhunter Season 3 On Hold

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Sources: Wikipedia, IMDb, Collider, Moviephone



Wednesday, April 15, 2020

Sebastian Faure On His Thoughts, Heart, and Passion Behind His Acting

Thompson Communications

PRESS RELEASE


For Immediate Release

Press Contact:
Steve Thompson
steve@thomcomm.com
856-425-0743


Sebastian Faure On His Thoughts, Heart, and Passion Behind His Acting

(April, 2020 – Los Angeles, CA) It took many years of soul searching for me to understand what I truly wanted to do with my life. For most of my youth, acting was merely a hobby, but later in my 20s I came to realize that it was more than just that. It took me years of working in all kinds of different jobs and realizing that they weren’t meant for me. It was only later that I allowed myself to take a leap of faith and pursue acting as a full time career. It’s not an easy job, work isn’t consistent, however when it is your passion, it all becomes worth it. When you finally find yourself working on something you love, you don’t consider it work, you do it for your well-being. Through acting I found myself opening my mind to how everyone’s perspectives of life could be so different. By telling stories, I felt that I ended up contributing more to society than when I was working as a salesman, or a tennis coach, or any other job I went through before finally settling with acting. For the time being, I live in Los Angeles, and my contribution would be making great aspiring movies.

This is where my journey truly began, and through this discourse, I’m hoping to shed some light on how acting can help one find purpose in life.

Acting is an exaggerated imitation of life, and I will explain why. The camera reflects what the director wants you to see, the movie is narrated by the director. An actor tries to live in the moment and shows genuine emotion for each scene. The director is therefore the compass, guiding the actor through the narrative journey while focusing on the specific tone, rhythm of the story.

A story can be romantic, dramatic, satiric, or even comedic, that is why I call it an exaggerated imitation of life. 

An actor’s craft starts when he books the job; he starts researching and tries to understand the essence of the character he will be portraying. Is it a character that is seeking love, seeking revenge, or wants a father’s acknowledgment? What is that character looking for in life? Everyone has a drive, an objective they want out of life. In any movie, if a character seeks nothing out of life, he serves no purpose in the story and holds no presence. 

Once you understand the character’s objective, the next step is to find the common ground between your own personal experiences and the character’s mindset. Finding parallels are necessary in order for an actor to convey genuine emotions. The more specific you are, the deeper you get.

However important it is for an actor to mold his struggles to the characters circumstances, it is equally imperative for him to understand the characters obstacles. Without struggle, there’s no satisfaction from the audience.

The more obstacles presented in front of the character and blocking him from chasing his objective, the more appealing the story.

These are only a few of the points that an actor must take into account when understanding the mindset of his character, and bringing him to life. I am currently studying at the Ivana Chubbuck studio and if I had a book to recommend you all to read. It would be the “The Power Of The Actor,” the 12 steps Chubbuck technique that will help you take a character from script to a living, and breathing character.

I promise you, I learned a lot from her book.

Acting is about learning the mindset of a character and not judging it. No matter how evil your character might be, in his mind, his actions are justified as a means to his goal. The more you learn about the abundance of perspectives in society, the more you will understand the essence of human behavior and psychology.

With this knowledge, you attain a better understanding of the meaning of a purposeful life, and the workings of the human psyche. 

It might seem complicated; what is our purpose in life? I can’t tell you specifically what it is, but what I came to understand through acting is this.

Life’s purpose is to remain dynamic, to keep moving forward, to keep chasing your passion, your objective. If you have reached your objective, set the bar higher. Never allow yourself to settle for the minimum.

As a human being, you learn more from your failures than your successes. By learning, you are growing and gaining knowledge about life and about yourself. Do not be afraid of change or the unknown. Getting out of your comfort zone is the only way to learn something new. It is in our nature to develop habits and to grow accustomed to a routine, we tend to go on autopilot mode. Habits create laziness, change demands effort.

Most people live their lives in an endless cycle, with nothing to chase. It is essential not to allow yourself to get too comfortable with your habits, to take any opportunity that comes your way, this will inevitably help you grow as a person. It is also important to understand that the more you are open to listening to others, the more you will learn.

We all have a purpose. At the end of the day, life is about finding that purpose. Us humans live together and work together in a society, we are all linked on a daily basis. What can your purpose offer to our society, and what contribution you make will help society to progress for a better future?

This is my philosophy in a nutshell, a quick peek into the mind of an actor. I hope this drives you to find what you are looking for.


All the best,
Just an actor,
Sebastian Faure

IMDB.me /Sebastianfaure
IG : @sebastian_faure


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Sebastian Faure's Most Recent Press Release on His Journey from Fine Art to Film Acting

Sebastian Faure is available for interview by appointment, pending availability.




Tuesday, April 7, 2020

Sebastian Faure’s Journey from Fine Art to Film Acting

Thompson Communications

PRESS RELEASE


For Immediate Release

Press Contact:
Steve Thompson
steve@thomcomm.com
856-425-0743


Sebastian Faure’s Journey from Fine Art to Film Acting


Currently Working in David Fincher’s Mank

(April 2020 – Los Angeles, CA) Sebastian Faure was born in the cultural melting pot of Dubai. Brought up in a French-Polish family, his colorful upbringing in the Gulf led him to have a strong understanding of many different cultures.

His romanticized perspective of the world had him cast aside at a young age but proved to be valuable once his mother introduced him to the arts. "The first time I held a pencil and started drawing was when I was with her. The first time I had to recite a sonnet in class, I was practicing at home with my mum. She was always there to support me. For that, I'm grateful." Once he got to explore his fathers' film collection, he was hooked. Being a part of the magic of making movies soon became his raison d'être. 

Although his father advised him against pursuing a job that has no safety net, he allowed him to attend the prestigious Sorbonne University in Paris, with a major in Art History and Archeology. Despite having to compromise to put his fathers' mind at ease, Sebastian never lost his desire to pursue an acting career. So without his fathers' knowledge, he started taking theater classes. He graduated from the Sorbonne with a Bachelor's Degree in Art History and Archeology and a Minor in Theatre.

Moving back to Dubai, he worked as an art consultant in a gallery for three years before finally taking the first step towards following his passion by moving to Los Angeles, where he earned a Masters in Fine Art Acting at the New York Film Academy. He is grateful to have been coached by people like George McGrath, Isabella Hofmann, Joe Basile, George Russo, and Ken Lerner, to name a few.

He became acquainted with many acting techniques such as Stanislavski, Meisner, Lee Strasberg, Chekhov, and Grotowski. He was able to take something from all of these techniques in order to create his own style.

After graduating, he started working by taking part in whatever project that came his way. Because of his determination, he developed a reputation, leading him to get work in higher caliber projects. 

It is Sebastian's belief that the art of acting is a never-ending search in finding the essence of a character. A quest to understand human behavior and push away judgment. It's a search for truth in understanding social psychology in the various circumstances of life. 
As Sebastian puts it, "it's not about the start or the finish line, it's about the journey... of discovery, of learning, of growing, and of interacting with others.” In his perspective, acting is an exaggerated imitation of life and life’s purpose is to remain dynamic, to keep moving forward, to take chances through the process of learning and getting out of your comfort zone. The moment you start getting too comfortable with your habits, you are as good as dead as you have lost track of your purpose. We can draw this parallel with acting; a character in any story holds no presence if he has no purpose, no objective.”

He is currently training the Chubbuck technique with Michael Monks. Sebastian’s determined focus on developing his craft is beginning to pay off; today, his IMDb profile shows forty-six film and television credits!


He is now known for his roles in Blue, playing alongside Judith Scott and Chelsea Lopez, in the multiple award-winning Knead for Love, accepted at the Cannes Film Festival and most recently in the upcoming David Fincher film Mank where he is performing with Gary Oldman, Lily Collins, Tom Pelphrey, Amanda Seyfried, and many others.

Mank follows screenwriter Herman J. Mankiewicz's tumultuous development of Orson Welles' iconic masterpiece Citizen Kane, and Mank is already developing some Oscar buzz.


"Every time I pick a role, I always start by understanding the psychology behind that person and the way he perceives life, because acting is all about the thought process in studying the character’s interaction with his surroundings.”


He is also appearing as a married man who escapes from his ordinary world, jeopardizing everything he thought was love in The Rose Hat written and directed by Ana Karenina Arley Jiménez.

The Rose Hat is currently on the world-wide festival circuit.

Sebastian Faure intends to continue to pursue his passion for acting. "I'm consistently learning more about life and myself so that I can improve my artistic craft."

On his immediate horizon is the upcoming Indiana Jones 5, for which he will soon be auditioning.


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Mank on IMDb

Sebastian Faure is available for interview by appointment, pending availability.



Wednesday, March 11, 2020

Director Humberto Rosa Developing Award Winning "The Method"

Thompson Communications

PRESS RELEASE


For Immediate Release

Press Contact:
Steve Thompson
steve@thomcomm.com
856-425-0743


Director Humberto Rosa Developing Award Winning "The Method"

Cast includes Nicky Whelan, Costas Mandylor, and Christopher Showerman

(March, 2020 – Los Angeles, CA) Humberto Rosa is developing the award winning (Berlin Flash Film Festival, Honorable Mention; Dumbo Film Festival, Nominmated, Best Short Narrative; The Monthly Film Festival, Nominated, May – 2019 – Award) The Method (formerly The Assistant) the story of an ambitious Hollywood assistant who finds herself in a hellish, life-or-death situation when she agrees to live in isolation with an overbearing Method actor who wants an extreme experience far from the executive producer and producer of a civilization, while preparing for his next role. Humberto is the director and executive producer, with well known talent attached like Nicky Whelan, (Hall Pass, Knight of Cups, The Wedding Ringer, Halloween II)  Costas Mandylor, (Virtuosity, Saw V, Saw VI, Saw - The Final Chapter) and Christopher Showerman, (George of the Jungle 2, Big Game, Radio America.)

Currently working in Los Angeles, he now has six titles in development, and an astounding twenty-six completed film and video titles working with some of the biggest talents in the industry both in the US and his homeland of Brazil too!

“I am grateful to have been able to learn so much about such a dynamic industry, and to have been able to work with so many talented people. Film is a collaborative process, and working with great people is a continuing learning experience. Thrilling audiences around the world is the ultimate reward.”

Humberto is the executive producer and producer of a new major Brazilian comedy feature film entitled Solteira Quase Surtando that will be released this month at major theaters throughout Brazil.

He is also producing Subliminal with Warren Zide producer of American Pie and the Final Destination franchise.

Completed are Don't Look Back written by Jeff Howard (The Haunting of Hill House) and has earned an astounding 17 awards, and 16 nominations. The film’s composer was Frank Simes the musical director of the band The Who, and has also recorded and performed with Mick Jagger, Don Henley, and Stevie Nicks.

He is a co-producer of 2119 with Edimilson filho directed by respected Brazilian director Edmilson Filho shot in the USA.

His horror feature Invoked was released in theaters in Thailand, New Zealand, Australia, and Indonesia, was also released in North America, Central America and Europe on Netflix, and is now available on Amazon.

A Consulting Producer on Malady, a horror movie shot in the US about a group of friends who decide to escape the daily hustle and bustle of LA, by going on a camping adventure. But when they encounter an infected man, their adventure soon turns to the fight for survival and now they must escape the Malady.

And producer of Lisa Haisha’s web series, he also interviewed her husband Lee Aaronsohn creator of Two and a Half Men and executive producer (83 episodes) and writer (43 episodes) of The Big Bang Theory.

In 2019 he coproduced a Brazilian horror feature film entitled Meu ódio é minha herança with recognized performers from Brazil like Andre Mattos (Narcos) and Tonico Pereira from Globo tv, which will be released later this year in Brazil.

From the time he saw Indiana Jones and the The Last Crusade, he knew he had to become a filmmaker, and now he would love to collaborate someday with Steven Spielberg. That and more is likely on the horizon for this talented filmmaker.


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Humberto Rosa is available for interview by appointment, pending availability.